Another application would be to combine certain properties of each model; for instance, employing FG-Grey for punch and adding subtle saturation from FG-Red by setting its ratio to and turning up the Drive knob. The sequence of the three compressors can be altered by dragging and dropping their virtual faceplates.
None of the compressors is entirely neutral. Indeed, if you feed them into an analyser, the VBC compressors behave pretty much like analogue gear. I'd still prefer the UAD Precision Buss compressor whenever sonic transparency is paramount, such as for predominantly acoustic music and mastering purposes. What are the down sides? The only question is whether your tracks need that much adhesion!
Slate's VBC provides convincing emulations of three sought-after mix bus compressors.
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Plug-ins Signal Processors. Pros The saturation characteristics of the original hardware are modelled with unusual accuracy.
Includes three compressors with distinct personalities. Compressor models can be combined in the FG-Rack plug-in. Mix and side-chain high-pass filter knobs on all three plug-ins.
- 16 SYNTHESIZERS.
- Download PDF The House of Grey and Harmonics Bundle.
- What Is Distortion in Music? When and How to Use It.
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Attractively priced. Cons Stereo linking cannot be switched off on VCA models. FG-Grey is not level-matched.
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FG-Mu has no auto release function. Summary Slate's VBC provides convincing emulations of three sought-after mix bus compressors.
Test Spec Windows PC with 3. Tested with Steinberg Cubase 7 bit.
Read e-book The House of Grey and Harmonics Bundle
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